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Just then the door was opened, and the footman announced "Admiral Sir William Lawrence.",
Captain Acton was silent. He was astonished. He had never observed his daughter as Aunt Caroline did. He was wanting in feminine sagacity where the heart is concerned. He[Pg 385] saw that if his daughter was not in love with Mr Lawrence, she was dangerously near that passion; she seemed to him to have been transformed into a sweetheart by usage which would have made the heart of most young women fierce with hate and horror. She was under a spell which she thought to break by the practice of an inherited art, as miraculous in effect as it had been unsuspected in being, and she had left her kidnapper seemingly as enamoured of him as though his behaviour from the beginning had been strictly honourable and chivalrous, an additament to the passion which his gallant record, his lofty bearing, and his handsome looks had inspired in her.,
"First off we plugged every hole under that barn but two, an' at each of these two we set a hoop-net. Then we turned ol' Lucifer, the ferret, loose under the barn. Holy Smoke! afore we knowed it there was high jinks goin' on tinder there. Maurice had hold of one hoop an' me the other. It took ma weasel an' her boys an' girls 'bout half a minute to make up their minds that ol' Lucifer wasn't payin' 'em a friendly visit. When the big scramble was over, I had a bagful of weasels an' so did Maurice. We let Lucifer prowl round a little longer to make sure we had all of 'em, then I called him out. I made Scraff give us one of his hens to feed the ferret on. Then Maurice an' me started off.,
Mr Lawrence pursued the same road home by which he had gained Old Harbour. In all probability had Mr Greyquill not looked back, the young gentleman would have found his letter where he had unconsciously dropped it. That side of the bridge—the up-river water path—was much unfrequented, save on a Sunday, when lovers walked along it, and now and again a little family dressed in their best. It was many chances to one that the two or three who had passed along that path since Mr Lawrence and Mr Greyquill had stood in conversation upon it, would have[Pg 146] picked up the letter or even taken notice of it, so very remote from their ideas of things worth stopping for and examining on the highway was a folded sheet of paper.
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Of this man, a toothless salt whose face was like an old potato, dark with the weather of[Pg 34] vanished days and covered with warts, an affecting story was told: it was evening, and the room was full of seafaring men, and this man, whose name was John Halliburton, sat at the table with a long clay pipe trembling in one hand and a glass of hot rum and water in reach of the other. Several songs had been sung by members of the company, and some one, by way of a joke, asked old John to oblige. To the amazement of everybody the old man put down his pipe, took off his hat, out of which he drew a large red handkerchief with which he polished his face, and then, fixing his lustreless eyes upon the man who had asked him to sing, broke into a song in a strange, quivering, fitful note, as though you should hear a drunken sailor singing in a vault. The assembly was hushed into deep stillness. It was certainly a most unparalleled circumstance for old John to sing. In the middle of the second verse, some old nautical ballad popular fifty years before, he stopped, put his handkerchief into his hat, and his hat upon his head, and resumed his pipe, gazing vacantly at the man who had asked him to sing.,
"Walk in, Captain Weaver. Pray, take that chair," said Captain Acton. "I can ask you no questions until I make you acquainted with what has happened.",
"But you didn't see her, did ye?" Cobin asked eagerly.,
The several long perpendicular lines were possibly intended to represent the forest, but what was meant by the two vertical lines and the crosses directly beneath them Maurice did not know. Also there was a crudely drawn circle and, inside it, a small square. Maybe this was supposed to represent a hollow stump with a squirrel-trap in it, thought the perplexed Maurice. With a sigh of disgust he turned the paper over. Then his eyes brightened. Written there in Billy's cramped hand were these words and characters:
The Admiral started from his chair to his feet. His face was full of blood, his hands were uplifted, and his fingers tightly locked. He cried, in a voice that was like mimic thunder in its power, and breaks, and falls:
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Mr Lawrence made a step and quickly picked up the knife and drew back again, conscious that the fixed gaze will often awake a slumberer even from deep repose. He stood close to the door viewing this picture of a sleeping girl in a ship's little cabin irradiated by a dim light, whose motions, with the rolling and the pitching of the ship, filled the darkling interior with a hundred dancing spectres. His marine ear would take no heed of the voices of the ship in that cabin, the groans and murmurs, the low whistlings and rusty strainings. This was a concert which his seasoned sense of hearing must miss or overlook in his perception of the picture he viewed.
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Mr Lawrence was in the act of passing from the cabin steps to his berth when Paul, who had received the key from him, came out[Pg 303] of the interior tenanted by Lucy. He looked pale in the lantern light, ugly, and grotesque, and his face wore an expression as though he had been terrified.
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It was late afternoon when Billy stepped into his punt and with swift, strong strokes sent it skimming toward the duck-ponds. At the point where the shore curved abruptly he lifted his hat and waved to the man and girl watching him from the pier.
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>"Who d'ye think's aboard?"
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